An Anti-German’s Guide to Germany II

I don’t know whether I’ll manage to keep up the rhythm of good things about Germany – bad things about Germany as there is so much more in the second category. But so far it works.

This time I’ll introduce a musical subculture which – while also harboring a majority of extreme sexists and thorough fascists – is one of the few scenes that features Anti-Germans. (Something about Anti-German Hip Hop coming up in another posting.) I’m talking about Breakcore and its huge variety of subgenres.

It’s pretty safe to say that the Anti-German contributions to the scene are among the most creative ones, that is, the ones with the most ecclecticistic approach to styles and samples as well as the ones most enjoyable for dancing (if you want to free the epileptic within you…)

Let’s begin with Lfo Demon who can be found on myspace and with dancefloor anthems like “Classwar Dynamite” or “The Skinhead broke my telephone”, culture clashs like “California unter alles”, as well as programmatic Hip Hop remixes like 5 3 9’s “Antideutsche Welle” (= “Anti-German wave” as a reaction the “Neue Deutsche Welle” recently proclaimed for the second time by nationalist rapper Fler). He’s also written a couple of texts about politics (“Fuck Old Europe”), the culture industry and the German beer tents.

Even more explicitly Anti-German already by name is Krautkillah Soundsystem who organized benefit gigs for the Anti-German weekly Jungle World. Though most of their stuff is quite incomprehensible for a Non-German as it’s using German vocal samples I can tell you it works as a giant relief for me. Unfortunately I can only link to the myspace-page of one of their DJs, Monty Cantsin who’s featuring the song “Krautkillah” loosely based on the track “Killah” by The Bug.

More outstanding Breakcore artists can be seen not as precisely Anti-German but as in several ways like-minded. I’ll just mention Istari Lasterfahrer of Sozalistischer Plattenbau who recorded Raggacore tracks against homophobia (“Me the faggot they are shot”, “To the battyman massive”) and the first breakcore track to positively feature GWB (“Angela Merkel 220 bpm”), the almighty Karl Marx Stadt and his Society Suckers of Resonance FM fame (listen to what he did to Britney Spears’ “Toxic” and the sheer mind-boggling ecstasy on “All I wanna do”), finally Cologne based band Bam Bam Babylon Bajasch who parody ragga clone style, f. e. in “One Love” where they sing about religious belief in general and about christian and rastafarian belief especially: “One Love, One Heap of Shit, sugarcoatin’ your hatred”.

(first posted at the Trots’)